The Zeiss Planar was one of the sharpest normal lenses back in the film days. In this review I check how well it performs on the 24MP Sony a7.
Thanks to Uwe for loaning me the lens and Techart adapter for this review!
Sony a7 | Zeiss Planar 2/45 | f/8 | full resolution
The “Hollywood-Distagon” 2/28 is one of the few lenses with a nickname. It is an adapted cinematic lens design for the Contax SLR cameras, but does it’s performance live up to the cool nickname?
Continue reading Review: Contax Zeiss Distagon 2.0/28 T* AEG (C/Y)
The specs of the Carl Zeiss Sonnar 2.8/90 sound great: Small, cheap, it’s from Zeiss so it should be very sharp and with the right adapter it even offers AF on the a7II! So how will it actually perform? Read on if you want to know.
Thanks to Uwe for loaning me the lens and Techart adapter for this review!
Continue reading Review: Zeiss Sonnar 2.8/90 T* on Sony a7II
Since the introduction of the Contax Distagon 2.8/21 in the early 1990’s, the 21mm lenses from Zeiss have a long and glorious history of being some of the best wide angle lenses in the world. While the Loxia 2.0/35 and the Loxia 2.0/50 are refined ZM-Designs, the Zeiss Loxia 2.8/21 is the first Loxia lens that features a new optical design. Lets have a look if the Loxia 2.8/21 can keep the heritage alive.
31/05/17 Update by Bastian: I have been using this lens regularly for a year now and Jannik asked me if there is anything I would like to contribute to his review, so I added a few notes and sample images.
The Carl Zeiss Planar 1,4/50 with C/Y mount is a typical representative of the 1.4/50 class
