Nikon AF-S 200mm 2.0G IF-ED VR via FTZ II on Nikon Zf
When making the transition from Nikon DSLRs to Sony fullframe mirrorless, letting my Nikon AF-S 200mm 2.0G VRI go was not an easy decision. At that time there were no decent Nikon-F to Sony-E adapters available though – let alone mirrorless cameras made by Nikon – and I couldn’t afford to keep a Nikon DSLR only for using this lens. I took the opportunity to try out some (most) of the competitors in the meantime, but none of those lenses convinced me as much as this Nikon. Let me tell you why in this review.
The Nonikkor-MC 11mm f/1.8 for APS-C cameras is an ultra-wide-angle lens with an impressive f/1.8 maximum aperture, designed by Artra Lab. It’s a modern vintage lens—if that makes sense. In both appearance and name, it’s clearly a remake of classic Ai and Ai-S Nikkor lenses from the late ’70s and early ’80s. It has a desirable aesthetic for nostalgic photographers and those who appreciate manual operation, especially fans of classic Nikon glass—whether or not they currently use a Nikon camera. Let’s take a look at how it performs!
I tested this lens on a 22 Mpx Nikon Zfc. You can see this review as a YouTube video here! Sample images in high resolution here.
Those of you that already had a look at my other reviews of Light Lens Lab lenses already know, their mission is to bring back rare and expensive lenses from the past at more affordable prices to give more people the opportunity to use them. After the 35mm 2.0 8-element they tackled the 28mm 2.8 9-element – a lens going for almost 10 grand on the used market for reasons I have yet to understand. Let’s see how this lens compares to the tiny Voigtländer VM 28mm 2.8 Color-Skopar. This lens will be reviewed on the 24mp Leica M10 and the 42mp Sony A7rII.
The Nikon Z 24-70mm f/4 S was the first zoom lens designed for the Nikon Z system. Zoom lenses are known for their convenience and versatility, and this one is often bundled as a kit lens with various Z-series cameras. But does it fit the mold of a typical kit lens? Or does the ‘S’ designation—reserved for Nikon’s high-end lenses—along with its $1,000 price tag, put it in a different league? Let’s find out!
Do you even need a tripod these days? To be honest, the necessity of tripods has been significantly reduced thanks to highly effective in-body image stabilisation, improved image quality at high ISOs and AI noise reduction, super-wide dynamic range of today’s digital sensors, and in-camera HDR modes.
Despite modern tech making tripods less necessary in some situations, they’re still invaluable in plenty of others. Tripods remain essential for long-exposure and astro photography, staging group photos, and focus stacking, to achieve sharp and crisp landscapes from close foreground to infinity, and especially for macro photography. Other applications where tripods are crucial include architectural photography, when you need to set up your camera with supreme precision, or when taking a series of shots with incremental panning to create panoramas. They also free up your hands for attaching or removing accessories like lens filters and microphones. Furthermore, tripods are indispensable for video work and studio photography.
So, which tripod should you choose?
Many of us know about high-end tripods like Gitzo and RRS, but are we always willing to pay a premium for that level of quality and reputation? And what about newer, lesser-known brands? one of them: the Fotopro Origin Plus Travel Tripod, a model that promises innovation and stability at a competitive price. Let’s have a look!
Long exposure on Fotopro Origin Plus tripodPrecise architectural photography in Low light (1/6 s) on Fotopro Origin Plus tripodPanorama made of multiple exposures on a Fotopro Origin PlusThe original panorama of the previous imageMultiple exposures on a Fotopro Origin Plus tripodLong exposure on Fotopro Origin Plus tripod
Sony α | Leica M | Nikon Z/F New articles every week
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I tested this lens on a 22 Mpx 
You can see this review as a 
Sample images in high resolution 
