Introduction
I already reviewed the M-mount version and liked it a lot. Now the native E-mount version has finally been released. Can it hold up to my high expectations?
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Review: Voigtlander 50mm 1.2 Nokton E
Category Archives: Sony E-mount
Review: Zhong Yi Mitakon 50mm 0.95 III
Introduction
I am a big fan of the Zhong Yi Mitakon 50mm 0.95 II, but there was definitely room for improvement in some areas, so I was curious to find out if those have been addressed in this redesign. Luckily I got the chance to review one of the early production models, so let us find out if this is a worthy update!
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Review: Sony FE 135mm F1.8 GM
The Sony 1.8/135 GM is a highly anticipated lens that has been rumored for some time. Being a GM lens, it is part of a line which includes some of my favorite lenses like the Sony FE 1.4/24 GM and the Sony FE 1.4/85 GM. My expectations are as high as its price – can it live up to that?
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The Man behind the Lens: Li Qing (7artisans 28mm 1.4 FE+)
PR: Dear Mr. Li, let me thank you for this opportunity to ask you some questions about your work and the process of designing a lens.
But first we would like to learn a bit more about you. Can you tell us a little bit about your background and your position at 7Artisans?
Continue reading The Man behind the Lens: Li Qing (7artisans 28mm 1.4 FE+)
Sony FE Standard Zoom Shootout – Sony 2.8/24-70 GM vs. Sony 4/24-105 G OSS vs. Tamron 2.8/28-75 Di III RXD – Part 2: Macro capabilities
After analyzing the infinity sharpness of the candidates in Part 1 of this series, we are looking at the opposite direction of the focus ring. For a versatile do-it-all standard zoom lens, the macro capability is an important factor of the overall performance. Details in documentation-, wedding-, product-, nature- or food photography are typical applications for a standard zoom as a pseudo-macro. In photographic history, the macro feature of zoom lenses was often a shameful marketing trick without any serious usefulness. Let’s check out the performance of the of the Sony FE 2.8/24-70 GM, Tamron 2.8/28-75 Di III RXD and the Sony FE 4/24-105 G OSS.