The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film … Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200
I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out. Processing (C-41) and scanning was done at urbanfilmlab in … Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100
Introduction With the release of Sony’s first A7 series camera we saw a renaissance of many legacy lenses from “dead” mounts like Canon FD, Olympus OM, Minolta SR and several more. Because of flange focal distance issues these lenses often couldn’t be attached to modern DSLRs. And even if it was possible, it was a … Continue reading The best fullframe mirrorless camera for adapting manual focus lenses
As some of you have noticed, beginning of 2023 I set up a Discord server for the Phillipreeve.net community and I am happy to report that there are many active members and it allowed me to be closer to the community as well. Also some memes have been exchanged/created and I thought for those that … Continue reading Discord Meme Selection
This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, … Continue reading Analogue Adventures – Part 33: Harman Phoenix 200