Adapters for Manual Lenses on the Sony a7 series: The Guide

There are many good reasons to adapt manual lenses to the Sony A7 series cameras. To do so you need an adapter and this article will help you to choose the right one.

We are three guys from Germany who have adapted manual lenses for many years now. By using several dozen adapters over the years we have learned the hard way, that not all adapters are created equal. We hope that the money we spent on bad adapters will help you to avoid annoying miss-buys we experienced.

In the following two parts we tell you why you need an adapter in the first place, and which issues can arise with adapters. If all you need is the right adapter for your lens you can simply jump to Adapter Manufacturers].

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Extension Tubes for Fullframe E-mount cameras

Introduction

Kenko and Fotodiox Pro extension tubes emount e-mount macro makro zwischenring extension ring full frame fullframe fe
Kenko and Fotodiox Pro extension tubes

I do own a macro lens (Sigma 150mm 2.8) that I use for most of my product shots on this blog, but I rarely take it out for shooting as it is quite bulky and heavy. Nevertheless I like to take a close up shot from time to time so I decided to try out the Kenko and Fotodiox Pro extension tubes, to turn my Loxia 85mm 2.4 into a macro lens.

Sample Images

extension tube kenko fotodiox pro ring zwischenring loxia zeiss carl 85mm 2.4 10 16 26
Sony A7rII | Zeiss Loxia 85mm 2.4 | f/2.4 | 16mm Kenko Extension tube
extension tube kenko fotodiox pro ring zwischenring loxia zeiss carl 85mm 2.4 10 16 26
Sony A7rII | Zeiss Loxia 85mm 2.4 | f/4.0 | 10+16mm Kenko Extension tube
extension tube kenko fotodiox pro ring zwischenring loxia zeiss carl 85mm 2.4 10 16 26
Sony A7rII | Zeiss Loxia 85mm 2.4 | f/2.4 | 16mm Kenko Extension tube

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Review: Voigtländer 10mm 5.6 E Hyper Wide Heliar

Introduction

Sony A7s with Voigtländer 10mm 5.6 Hyper Wide Heliar E
Sony A7s with Voigtländer 10mm 5.6 Hyper Wide Heliar E

The Voigtländer 10mm 5.6 Hyper Wide Heliar E aspherical is the second native E-Mount lens by Voigtlander and it is also the widest rectilinear lens ever produced. I am a wide angle junkie so I was eagerly awaiting this lens. Read on to find out what one can do with such a wide lens!
Update
(06/06/17): long term experiences after one year of usage added

Sample Images

voigtlander hyper wide heliar 10mm 5.6 review sample
Sony A7rII | Voigtländer 10mm 5.6 HWH E | f/16 | higher resolution
voigtlander hyper wide heliar 10mm 5.6 review sample
Sony A7rII | Voigtländer 10mm 5.6 HWH E | f/11 | higher resolution
Sony A7rII | Voigtlander 10mm 5.6 Hyper Wide Heliar E | f/8.0 | higher resolution

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Review: Nikon Nikkor-H 50mm 2.0 RF

Introduction

nikon h nikkor rangefinder nikkor-h 50mm 2.0 rf sony a7 a7rii
Sony A7rII + Voigtlander VM-E close focus adapter + Nikon Nikkor-H 50mm 2.0 RF

This review covers the Nikkor-H 50mm 2.0 rangefinder lens, it may be a stop slower than its faster f/1.4 brother but shares the same great build quality. Might this be the better Nikkor 50mm rangefinder lens in the end? Read on to find out!

Sample Images

nikon h nikkor rangefinder nikkor-h 50mm 2.0 rf sony a7 a7rii bokeh oof out of focus
Sony A7rII | Nikon Nikkor-H 50mm 2.0 | f/2.0
nikon h nikkor rangefinder nikkor-h 50mm 2.0 rf sony a7 a7rii bokeh oof out of focus
Sony A7rII | Nikon Nikkor-H 50mm 2.0 | f/2.0
nikon h nikkor rangefinder nikkor-h 50mm 2.0 rf sony a7 a7rii bokeh oof out of focus
Sony A7rII | Nikon Nikkor-H 50mm 2.0 | f/4.0

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Making of series part 3: “Milky Valley” with Voigtlander 1.7/35

milky way astro astrophotography twan dark night stars milchstraße valley dolomites italy sony a7s voigtlander 35mm 1,7 asph ultron
Sony A7s | Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter | f/1.7 | higher resolution

For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…

In the Bag

As I wasn’t bound by airline carry on restrictions this time I brought a little more gear than usual. For astrophotography I carried my trustworthy Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Zeiss Loxia 21mm 2.8, Voigtlander VM 35mm 1.7 + 5m filter and my Samyang 14mm 2.8. I also carried a very sturdy Gitzo Series 4 tripod and of course a remote trigger.

Continue reading Making of series part 3: “Milky Valley” with Voigtlander 1.7/35