All posts by BastianK

My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Don't ask me anything about macro or wildlife shooting though.

Review: Samyang AF 24mm 1.8 FE

Introduction

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Samyang FE 24mm 1.8 AF on Sony A7rII

The earlier Samyang lenses didn’t really impress me: dinky casing, lack of controls and severe issues with sample variation. This Samyang FE 24mm 1.8 AF was the first of a new generation of Samyang AF lenses though: customizable switch, focus hold button, rubber gasket and vastly improved materials. Did they finally hit the mark? Let’s find out in this review!

Sample Image

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/2.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/5.0
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8

Continue reading Review: Samyang AF 24mm 1.8 FE

Analogue Adventures – Part 17: Kodak Ektar 100 ECN-2 processed

Kodak Ektar 100

Ektar 100 is easily one of my favorite films: low grain, lots of details, lovely colors – simply what I would call high a quality film. Some of you may remember when I exposed a roll of badly expired Ektar, but this time let’s have a look what it can really do.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from two rolls of film.
Update 2025: more sample pictures added

ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.0 | Kodak Ektar 100 ECN-2
ektar 100 kodak review Nikon F80 analogue analog
Nikon F80 | Kodak Ektar 100 ECN-2 | Sigma 24-35mm 2.0 Art
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/5.6 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 24mm 2.0 | f/11 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.8 | Kodak Ektar 100 ECN-2
ektar 100 kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.0 | Kodak Ektar 100 ECN-2

Continue reading Analogue Adventures – Part 17: Kodak Ektar 100 ECN-2 processed

Adapting Lenses – Still worth it in 2023?

Introduction

canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Canon EF 200mm 2.0 L IS on Sony A7III via Metabones Smart Adapter

There have always been people adapting lenses to other camera systems, but it was really the release of the Sony A7 that completely changed the game, being the first affordable fullframe mirrorless camera with a short flange focal distance, Liveview and built-in EVF.
This not only made it possible to use long forgotten legacy lenses from decades ago on a modern camera, it also led to some of the most sophisticated adapters we have seen so far.
This was the end of 2014 and since then a lot has changed, so let us see what are the reasons to adapt lenses and in what cases it is still worth it today.

Continue reading Adapting Lenses – Still worth it in 2023?

Review: Laowa 28mm 1.2 FFII Argus

Introduction

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Laowa 28mm 1.2 FFII Argus on Sony A7rII

Laowa was already responsible for releasing the world’s fastest 35mm lens and now they are back doing the same for the 28mm focal length. This time around it isn’t f/0.95, but f/1.2 at 28mm – in a more compact package. This is just as impressive, especially when most manufacturers seem to have neglected the 28mm focal length altogether. But is it only impressive on paper or does it also deliver in the field? Let’s find out in this review.

Sample Images

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/2.0
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2 | Glimmerglass1
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2

Continue reading Review: Laowa 28mm 1.2 FFII Argus

Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed

kodak gold 200 analogue leica m6 contax canon fd olympus om
Kodak Gold 200

Kodak Gold 200 again? Hasn’t there been an article covering this film already? Yes, but the Silbersalz35 guys started offering a new lab service in 2022 for developing some of the popular C-41 still photography films with the more complex ECN-2 process. But is it a good idea? I wanted to find out, I received the scans, so let’s have a look together.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Update May 2023: more pictures added

kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/8.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/2.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 | f/11 | Kodak Gold 200 ECN-2
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M6 | Hologon 16mm 8.0 | Kodak Gold 200 ECN-2
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Minolta CLE | Minolta/MS 40mm 1.7 | f/8.0 | Gold 200 ECN-2
Voigtländer Cosina 40mm 1.4 1.4/40 mc multi coated sc single comparison review leica m10 m11 m10r sony a7rv a7riv 61mp 42mp 24mp sharpness resolution handling build quality
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/8.0 | Gold 200 ECN-2

Continue reading Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed