Introduction When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look. Processing and scanning … Continue reading Analogue Adventures – Part 7: Cinestill 800T
Introduction I have previously reviewed the H&Y Revoring (which I bought from Kickstarter back in the day) and already at that time I was thinking: “Combining this ring with a whole filter system would be a good idea, right?” The engineers at H&Y did exactly that and combined the variable Revoring with their magnetic square … Continue reading Hands-on: H&Y Revoring Swift Magnetic System
Introduction For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.
Introduction Luckily the Leica M6 had been fixed just in time for the trip to Barcelona, so I was finally able to shoot some film. Let’s have a look how the pictures turned out and what got in the way.
Introduction It has been two months since the second part of this series so some of you might have thought the analogue adventures already terminated, but the truth is “getting things fixed” took way longer than initially expected. So this time let’s have a look at these things and if you can learn anything from … Continue reading Analogue Adventures – Part 3: Getting things fixed