Review: Minolta Auto Rokkor-PF 55 mm f/2
The Minolta Auto Rokkor-PF 55 mm f/2 is a small legacy standard lens from the sixties. Does this lens still deserve a spot in a modern camera bag?
The Minolta Auto Rokkor-PF 55 mm f/2 is a small legacy standard lens from the sixties. Does this lens still deserve a spot in a modern camera bag?
Introduction Regular readers know I have a soft spot for lenses like the Canon EF 200mm 2.0 L IS. It was introduced in 2008 and is still the latest lens in its class. So how does it stack up compared to the older 200mm 1.8 L? And how does it work with the new real … Continue reading Review: Canon EF 200mm 2.0 L IS
B: Hi Hispan, can you tell us a little bit about yourself and how you came to use manual lenses? H: Originally I studied history at the university (my PhD is still in progress) but I’ve always been interested in theoretical physics and cosmology, which is a quite wide range of interest. Photography came to … Continue reading THE MANUAL PHOTOGRAPHERS SERIES PART 9: Hispan
PR: Dear Mr. Li, let me thank you for this opportunity to ask you some questions about your work and the process of designing a lens. But first we would like to learn a bit more about you. Can you tell us a little bit about your background and your position at 7Artisans?
Standard zooms are the swiss knifes for photographers who need flexibility, can’t change lenses or prefer exact framing over prime qualities. The Sony FE standard zoom palette has grown in the past years. In the beginning, we were cought between a rock (Sony FE 3.5-5.6/28-70) and a hard place (Sony FE 4/24-70 ZA OSS). We … Continue reading Sony FE Standard Zoom Shootout – Sony 2.8/24-70 GM vs. Sony 4/24-105 G OSS vs. Tamron 2.8/28-75 Di III RXD – Part 1: Sharpness testing