As second lens for their “Ksana” series Thypoch decided to release a compact 35mm 2.0 M-mount lens with black paint finish. These Ksana lenses feature vintage coatings – to create a distinct color signature – but are otherwise modern designs. The Thypoch 21mm 3.5 Ksana proved to be a capable yet compact lens, will this Thypoch 35mm 2.0 Ksana follow its footsteps? Let’s find out in this review! This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
There are some lenses I would like to review one day, but the more interesting (read: rare and expensive) they are, the less feasible it is for me to buy them just to write a review.
Thanks to several readers here I already got the opportunity to remove several lenses from this list in the past, but there are still some left:
E-mount:
Sony FE 12-24mm 2.8 GMReview
Sigma 14mm 1.4 Sony FE 14mm 1.8 GMReview Sigma 17mm 4.0Review Samyang 18mm 2.8 AFReview Sigma 20-200mm 3.5-6.3 CReview Sony FE 20mm 1.8 GReview Samyang 24mm 1.8 AFReview
Sony FE 28-70mm 2.0 GM
Sigma 28-45mm 1.8
Sigma 35mm 1.2 II
Sigma 50mm 1.2
Sony FE 50-150mm 2.0 GM Sony FE 50mm 1.4 GMReview Samyang 50mm 1.4 AF MKIIReview Sony FE 50mm 1.2 GMReview Sony FE 85mm 1.4 GM MK IIReview
Samyang 85mm 1.4 AF MKII Samyang 135mm 1.8 AFReview
Sigma 20-200mm 3.5-6.3 DG Contemporary on Sony A7rII
You haven’t seen (m)any reviews of superzoom lenses on this blog so far, because traditionally many of those ~10x zoom lenses were either lacking in terms of optical performance (e.g. Sony FE 24-240mm 3.5-5.6 OSS) and/or I personally didn’t find the focal length range particularly useful, often starting at 28mm (e.g. Tamron 28-200mm 2.8-5.6 Di III RXD). Furthermore, if you want to review such lenses properly, it takes a lot of time and effort, equal to reviewing several prime lenses.
With its unique focal length range this Sigma 20-200mm 3.5-6.3 DG Contemporary intrigued me though, but can the performance of such a bold design be any good? I ultimately decided to buy one and see for myself how it performs, so here we are.
By mid 2026 we have seen a lot of lenses from the Chinese manufacturers: some with class leading optical performance, some with unique specifications, some very affordable. There is one thing we haven’t seen yet though (at least not that I can recall): an autofocussing zoom lens. I would have first expected a lens like that from Viltrox, Laowa or 7Artisans, but it is Thypoch – so far specialized in all manual M-mount lenses – bringing a lens like this to the market: the Thypoch 24-50mm 2.8 Voyager. Did they succeed in designing a lens like this, or was it too ambitious? Let’s find out together in this review!
Kodak Ektachrome E200 is a daylight slide film whose production ceased a very long time ago. I got my hands on a roll (expired in 2009), so let’s see what we are missing out on these days. Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Sony α | Leica M | Nikon Z/F New articles every week
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