Analogue Adventures – Part 49: Fujifilm Neopan Acros 100 II

Fujifilm Neopan Acros 100 II

The Fujifilm Neopan Acros 100 II is a black and white film which is still in production today. Let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film which was exposed as ISO 100.

fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II
fuji fujifilm neopan acros 100 2 II expired black white bw sw schwarz weiss weiß nikon 35ti
Nikon 35Ti | Fujifilm Neopan 100 Acros II

Continue reading Analogue Adventures – Part 49: Fujifilm Neopan Acros 100 II

REVIEW: TTArtisan 14mm f/2.8

Introduction

Here we have another ultra-wide-angle lens from TTArtisan: an affordable 14mm with a maximum aperture of f/2.8. It’s quite compact and reasonably fast for such a wide-angle lens. A 14mm lens is a good choice for architectural and dramatic landscape photography. The f/2.8 aperture also makes it suitable for astrophotography, and at around 196 USD it remains very affordable. Let’s take a look at its performance.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | TTARTISAN 14mm f/2.8 | f/4
Nikon Zf | TTARTISAN 14mm f/2.8 | f/8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8
Nikon Zf | TTARTISAN 14mm f/2.8 | f/2.8

Continue reading REVIEW: TTArtisan 14mm f/2.8

Review: Omnar 50mm 2.0 Bertele FLB

Introduction

omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Omnar 50mm 2.0 Bertele on Leica M10

I think I have always been at the forefront to introduce (new) niché lens manufacturers to you guys. Omnar lenses definitely is one of those: a boutique lens manufacturer based in the UK, producing low quantities of unique lenses and also offering lens conversions with a huge attention to detail and quality. The Omnar 50mm 2.0 Bertele FLB is a Sonnar design true to the original formula from 1934, but aims to correct the dreaded focus shift to make it a more enjoyable lens to use on rangefinder cameras. Let’s have a closer look!
This lens will be reviewed on the 24mp Leica M10 as well as the 42mp Sony A7rII and you can find sample pictures taken on the Leica M6, Leica M10 and Nikon Zf.

Sample Images

omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Lomo 100 | Omnar 50mm 2.0 | f/2.8
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Ektar 100 | Omnar 50mm 2.0 | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Ektar 100 | Omnar 50mm 2.0 | f/2.8
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Leica M6 | Lomo 100 | Omnar 50mm 2.0 | f/4.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0
omnar bertele sonnar flb review leica m10 m11 m9 42mp 24mp cinematic contrast sharpness rendering bokeh 50mm 2.0 film analogue focus shift skyllaney
Nikon Zf | Techart TZM 02 | Omnar 50mm 2.0 Bertele FLB | f/2.0

Continue reading Review: Omnar 50mm 2.0 Bertele FLB

Review: DJ-Optical 50mm 1.0 M

Introduction

review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
DJ-Optical 50mm 1.0 on Leica M10

Most manufacturers producing M-mount lenses have at least one super fast 50mm lens in their portfolio and quite often these are prestigious flagship lenses for them. The latest entry is DJ-Optical with his 50mm 1.0 lens for M-mount – produced only in small quantities and officially being sold only in China at the moment. Thanks to one of my readers I was still able to acquire one of these to review it for you, so let’s have a closer look at this intriguing lens.
This lens will be reviewed on the 24mp Leica M10 and the 42mp Sony A7rII.

Sample Images

review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | DJ-Optical 50mm 1.0 | f/1.0
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | DJ-Optical 50mm 1.0 | f/1.2
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | DJ-Optical 50mm 1.0 | f/1.0
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | DJ-Optical 50mm 1.0 | f/1.0
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | DJ-Optical 50mm 1.0 | f/1.0
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Nikon Zf | Boryoza LM-Z | DJ-Optical 50mm 1.0 | f/2.0
review DJ DJO DJ-optical optical china leica m 50mm 1.0 f/1.0 1,0 f/1,0 lens contrast resolution m11 m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Nikon Zf | Boryoza LM-Z | DJ-Optical 50mm 1.0 | f/1.0

Continue reading Review: DJ-Optical 50mm 1.0 M

Analogue Adventures – Part 48: Hexar RF

Hexar RF

Released in 1999, the Konica Hexar RF is the most advanced analogue M-mount rangefinder camera ever made, far surpassing the Minolta CLE and all of Leica’s analogue cameras that came after. Let’s have a closer look!

wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Hexar RF | Wolfen 500 NC | MS-Optics 50mm 1.0 ISM | f/1.4
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | MS-Optics 24mm 2.0 | f/2.0
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/8.0
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | MS-Optics 35mm 1.4 | f/2.0
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/1.2
kodak royal supra 400 color negative film germany stuttgart deutschland review nikon f analogue film hexar rf
Hexar RF | Kodak Royal Supra 400 | Voigtländer VM 35mm 1.2 III | f/1.2

Continue reading Analogue Adventures – Part 48: Hexar RF

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