The earlier Samyang lenses didn’t really impress me: dinky casing, lack of controls and severe issues with sample variation. This Samyang FE 24mm 1.8 AF was the first of a new generation of Samyang AF lenses though: customizable switch, focus hold button, rubber gasket and vastly improved materials. Did they finally hit the mark? Let’s find out in this review!
Ektar 100 is easily one of my favorite films: low grain, lots of details, lovely colors – simply what I would call high a quality film. Some of you may remember when I exposed a roll of badly expired Ektar, but this time let’s have a look what it can really do.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from two rolls of film.
Update 2025: more sample pictures added
Continue reading Analogue Adventures – Part 17: Kodak Ektar 100 ECN-2 processed
Laowa was already responsible for releasing the world’s fastest 35mm lens and now they are back doing the same for the 28mm focal length. This time around it isn’t f/0.95, but f/1.2 at 28mm – in a more compact package. This is just as impressive, especially when most manufacturers seem to have neglected the 28mm focal length altogether. But is it only impressive on paper or does it also deliver in the field? Let’s find out in this review.
Kodak Gold 200 again? Hasn’t there been an article covering this film already? Yes, but the Silbersalz35 guys started offering a new lab service in 2022 for developing some of the popular C-41 still photography films with the more complex ECN-2 process. But is it a good idea? I wanted to find out, I received the scans, so let’s have a look together.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Update May 2023: more pictures added
Continue reading Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed
Over the decades some exotic lenses saw the light of day that have a bit of a legendary status now and these also happen to be my favorite lenses to review. One such lens is the Contax-G 16mm 8.0 Hologon, an eccentric ultra wide angle lens still made by Zeiss in Germany, when every other part of the Contax-G system had already been manufactured in Japan. The Hologon sure looks cool, it has a history, but is it also still relevant today? We will try to find that out, see how to change its bayonet for M-mount and I will tell you what cameras it can best be used on.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
