Carl Zeiss Sonnar 135mm 1:1.8 ZA Review

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The SAL135f18z is an marvel of a lens, which gives spectacular results and features AF with some minor drawbacks. In this review I share my experience with it from a personal point of view.

The ZA135 is a high end lens with Sony A-mount: it is big, it is expensive and it is one of the best lenses I ever used.

I used it on my Sony a7 with a Sony LA-EA4 adapter for this revie Continue reading Carl Zeiss Sonnar 135mm 1:1.8 ZA Review

Review: Carl Zeiss FE 4/24-70 Vario-Tessar T*

This is my now final review of the Sony SEL2470z.

Keep in mind that I do lots of landscape photography so I emphasize certain aspects others won’t find as important and vice versa.

SEL2470Z

SEL2470Z

Introduction

This is the fourth lens released for the Sony FE-System.
In theory it should be good for many applications like reportage or travel photography. In this review I will try to assess how well it performs.

Specifications

Size: (diameter x length): 73mm x 94.5m
Filter Thread: 67mm
Weight: 430g
Minimum Focusing Distance: 40cm
Magnfication:
0.2
Price:

Continue reading Review: Carl Zeiss FE 4/24-70 Vario-Tessar T*

How I create Images – Part 3: Postprocessing

In party 3 of my series I will  tell you about my approach to post processing. This is my personal approach and there are many different approaches, some of them more sophisticated than mine, but I found that it works quite well for me this way.

In case you haven’t read part 1 and 2 yet, here are the links:
How I create Images – Part 1: looking for motifs and light
How I create Images – Part 2: working with the Sony a7

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I will talk about this image later, but it makes a nice intro

Continue reading How I create Images – Part 3: Postprocessing

How I create images – Part 1 : the search for good light

I always found it interesting to read or hear how other photographers create their images and to learn about their workflow.
The two books which have influenced my photography the most are Ansel Adams’ Examples: the Making of 40 Photographs and “First Light” by Joe Cornish in which both authors talk about their image making process.

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Over the years my gear has improved quite a bit but what has improved even more is my photographic process and I am sure that this is much more important. If I had to use the Konica Minolta Dynax 7d with that Minolta 2.8-4/17-35 today, which was my first serious camera the results would be much better than those my 18-years-old self took back in 2006, because since then I have learned a lot about light, improved my composition, can operate a camera by intuition and know when to use which setting.
My post processing has improved as well, back in the day I shot raw because I had read that raw is superior to jpg and that every serious photographer shoots raw, not because I had any idea how to really work with a raw file.

I don’t think that my 18-years-old self would have taken significantly better images with a Sony a7 because my photography was trial and error, sometimes I got a decent image but neither would I have recognized most photo opportunities nor could I have reliably turned the image I saw in front of me into a decent photograph.

What I really want to say that gear isn’t the key to better photographs, mastering the photographic process is much more important. And I hope to help other photographers to become better photographers and also to learn about other people’s workflow, there are many photographers out there which are much better than I am and I still have a long way to go.

Continue reading How I create images – Part 1 : the search for good light

Manual Lenses | Sony Alpha