Introduction After my experience with the Voigtländer 35mm 1.4 Classic I haven’t exactly been interested in spending any more time with lenses from Cosina’s Classic line (which is not to be mistaken for their Vintage line). That being said the acquisition of a Minolta CLE got me interested in a compact 40mm M-mount lens and … Continue reading Review: Voigtländer VM 40mm 1.4 Nokton MC
Introduction The MS-Optics 28mm 2.0 Apoqualia must be a bit of a fan favorite, as it has been rereleased – and the mechanical design improved – several times over the years, making it the first MS-Optics lens available in a Mark III version. I will be having a look how it all started though by … Continue reading Review: MS-Optics 28mm 2.0 Apoqualia
The Kodak Portra 400 is Kodak’s midspeed film from the Portra series sitting inbetween the Portra 160 and Portra 800. It is also the more expensive ISO 400 color negative film in the Kodak lineup, the cheapter alternative being the Ultramax 400. Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Even with the limited amount of different color negative films available these days Kodak manages to confuse the people by offering two different “low cost” ISO 200 daylight films: the Kodak Gold 200 (which I already had a look at here and here) and this Color Plus 200. From what I gathered the Color Plus … Continue reading Analogue Adventures – Part 20: Kodak Color Plus 200 ECN-2 processed
Introduction The Helios 44 is basically a copy of the Carl Zeiss Jena Biotar 58mm f/2, optically that is. At the beginning it was even called “БТК” – “БиоТар Красногорский” (BioTar Krasnogorski). At the end of Wold War II the Russians took the Zeiss’ designs and materials back to Russia and copied them. The Soviet … Continue reading Review: KMZ Helios-44 58mm 2.0