The Jupiter-3 50mm 1.5 is actually a copy of the Zeiss Sonnar 50mm 1.5 and was produced in the UDSSR after WWII. The Jupiter lenses belong to the very few “lowcost” rangefinder lenses, but what do they have in store in terms of optical quality? Read on to find out.
This is a review of Nikon’s latest fast wideangle lens and how it performs on Sony’s A7 series. It may come as quite a surprise, as I usually prefer using (and reviewing) rangefinder lenses on my A7s.
The Voigtländer 12mm 5.6 Ultra Wide Heliar is actually one of the lenses I bought a camera from the A7 series for in the first place. It is worth to mention though, I am reviewing the old M39 version here. The newer Leica M version is optically the same, although there are other differences – apart from the lens mount – which I will talk about at the end of this review.
Continue reading Review: Voigtländer 12mm 5.6 Ultra Wide Heliar
The Minolta MD 50mm 1:2 is one of the smallest and cheapest Minolta lenses and most importantly it is also an excellent lens for landscape photography.
| Diameter | 64 mm |
| Length | 36 mm |
| Filter Thread | 49 mm |
| Weight | 150g |
| Max. Magnification | 0.15 |
| Close Focusing Distance from the sensor | 45cm |
| Number of aperture blades | 6 |
| Elements/ Groups | 6/5 |
So Sony announced their newest flagship camera and it got a lot of hype. And after my initial enthusiasm cooled down a bit I collect my thoughts and ask myself the essential question: Would the a7rII improve my photography if I upgraded from my Alpha 7?
The specs tell us that the camera will sport a 42MP back side illuminated (BSI) sensor.