Introduction Today I’m looking at another vintage lens: the Super Multi Coated Takumar 28mm f/3.5, made by Asahi Optical Co. before the company became Pentax. Over the years, this lens has earned a legendary reputation among vintage wide-angle lenses, praised for its sharpness and coatings that were considered exceptional for their time. Naturally, I wanted … Continue reading REVIEW: Super-Multi-Coated TAKUMAR 28mm f/3.5
The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Others of us are less keen, finding it … Continue reading Guide to the best 50mm Lenses for full frame Sony E-mount cameras: A7/A9/A1
Introduction Since its release in 2019 I have been using the Sigma 35mm 1.2 Art DG DN as my main lens for any kind of reportage work. It took until 2025 for another manufacturer to challenge Sigma by releasing a 35mm 1.2 lens with autofocus of their own. Actually, there were two at almost the … Continue reading Review: Viltrox AF 35mm 1.2 FE LAB N
Introduction Released in 2007, the Nikon AF-S 14-24mm 2.8G was the first ultra wide angle zoom combining a 14-24mm viewing angle with a maximum aperture of f/2.8. Coming in at almost 1 kg, many people considered it to be too heavy to carry around all day and that bulbous front element didn’t help either. Almost … Continue reading Review: Samyang AF 14-24mm 2.8 FE
Introduction Not that long ago we reviewed the Viltrox AF 85mm 2.0 Evo – the first lens of the Evo series – and it turned out to be a very compelling lens; correcting most optical aberrations very well in a compact, affordable package. It didn’t take long for Viltrox to extend the lineup, so here … Continue reading Review: Viltrox AF 35mm 1.8 FE EVO Apo