The Voigtländer 58mm 1.4 SL IIs Nokton has been in production since 2007 and gathered many fans over the years. This is probably the reason Cosina updated its casing design several times throughout the years while keeping the optics the same. Let’s see if we can find out what people like about it in this review.
Continue reading Review: Voigtländer 58mm 1.4 SL IIs Nokton (Nikon F)
When Sony released the first affordable fullframe camera with the A7 in 2013 almost none of the enthusiast photographers were aware of issues related to filter stack differences. Filter stack describes what is in front of the sensor and different manufacturers decided to go for different thicknesses here that can influence how our lenses perform. If you stay within just one system this is usually not something to care about, but when adapting lenses it is very helpful to be aware of this topic.
In this article I try to tell you about these differences and for what lenses they matter, so you can find out if it is something that might affect you.
With the rise of the 80-200mm f/2.8 zooms it seems the 180-200mm f/2.8 primes fell out of fashion, as for more than 20 years no manufacturer bothered to design a new lens like this (not counting a few third party macro options). While Canon last updated their 200mm 2.8 in 1996, Nikon never updated the optical design of their Nikon AF 180mm 2.8 since 1986. Is this still a worthwhile lens today? Let’s find out in this review.
Over the years Cosina has become really good at designing compact yet fast lenses and the Voigtländer VM 75mm 1.5 Nokton might be the epitome of that, as it offers a huge entrance pupil (= a lot of bokeh) for its size and weight. Let’s find out more about this intriguing lens together.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Update 06/24: complete update of the review
Some of you may still remember the first part of this series, where I described what analogue cameras I had a look at and why I ultimately ended up with a Leica M6. An F-mount analogue camera was also in strong consideration, but I did not go for it because I did not want to buy a set of F-mount lenses – and the F-mount being a dead mount anyway. But in the meantime some things have changed, so here I am again…
Continue reading Analogue Adventures – Part 31: Which Nikon F-mount film camera to get?