Tag Archives: Sony

Beginner’s Guide to Manual Lenses on the Sony a7

Okay, everybody is talking about how manual lenses work so well on the Sony a7 series but how does it actually work? And which results can you expect? Read on if you want to know.DSC00720

Manual Lenses on the Sony a7/a7II/a7III

Zeiss Distagon 2.8/28  ~ $250
Olympus OM 2.8/100 ~ $100
 Minolta MC 1.4/50 ~ $60

Why should I use manual lenses?

    • They can be very cheap, you can get a great 1.4/50 lens for $50. For most applications such a lens will give you 90% of the performance of a $1000 Zeiss 1.8/55 FE. For the $1000 you would have to pay for that Zeiss you can buy an excellent set of five lenses from 20 to 300mm.
    • You have a huge choice between thousands of lenses ranging from exotic ones with lots of “character” to some of the very best lenses available.
    • There are 30-year-old primes with better image quality than many modern lenses. Of course progress has happened in recent years but still affordable primes are often sharper than very expensive modern zooms.
    • Old lenses are usually beautifully built from nothing but metal and glass which makes it a joy to handle them. They can last a lot longer than modern lenses which are full of electronics and very complex designs, both of which make them more likely to fail.
    • They also hold their value much better than modern lenses. With some patience you can sell most manual lenses without a loss but with new lenses you can expect to lose 30% in the first year.
    • Manual focusing can be very enjoyable. This certainly depends on application but personally I enjoy working with fully manual lenses a lot more than with any AF lens and I would choose a good manual focus lens over an AF lens (almost) any time. Check out our manual photographers series to read other photographers stories who feel similar about this.
Minolta MD 2/50 ~$25

Why shouldn’t I use manual lenses?

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Best budget lenses under $499 for Sony a7/a7II/a7III

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You can easily spend a fortune on lenses for your Sony E-mount camera but you don’t have to. These lenses all cost less than $499 and give you great image quality on your a7/a7II/a7III/a7rII-series camera.

For each lens we have summarized the defining strengths and weaknesses. We hope this will make it easier to decide for yourself, if the lens could fit your needs. Please make sure to check out our in-depth reviews for a much more detailed discussion of each lens.

There are certainly other lenses which would deserve a spot in this list but we only include lenses we have used ourselves, so please don’t take it personal if we haven’t included your favorite lens.
Last Update: November 2019

If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you

Voigtlander 5.6/12 M39

Compared to the DSLR lenses (like the Samyang 14mm 2.8) this lens is ridiculously small. This is a lens that will always easily fit into your bag, which is great if you not intend to shoot this wide on a regular basis. With the filter adapter it is even possible to use standard 77mm filters.

You should be aware of: The corners never reach excellent levels, huge vignetting, slow, not a good match for A7r.

175g + adapter | ~$450 | full Review | aperture seriessample images

buy from ebay | Sony E-mount adapters (affiliate links)

dancing houses prag prague praha gehry sony a7s voigtlander 12mm 5.6

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Review: Sony FE 135mm F1.8 GM

The Sony 1.8/135 GM is a highly anticipated lens that has been rumored for some time. Being a GM lens, it is part of a line which includes some of my favorite lenses like the Sony FE 1.4/24 GM and the Sony FE 1.4/85 GM. My expectations are as high as its price – can it live up to that?

Sample Images

Sony A7iii | Sony FE 1.8/135 GM | f1.8 | full size
Sony A7iii | Sony FE 1.8/135 GM | f1.8 | full size
Sony A7iii | Sony FE 1.8/135 GM | f1.8 | full size

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Sony FE Standard Zoom Shootout – Sony 2.8/24-70 GM vs. Sony 4/24-105 G OSS vs. Tamron 2.8/28-75 Di III RXD – Part 2: Macro capabilities

Sony A7iii | Tamron 2.8/28-75 | 70mm | f2.8

After analyzing the infinity sharpness of the candidates in Part 1 of this series, we are looking at the opposite direction of the focus ring. For a versatile do-it-all standard zoom lens, the macro capability is an important factor of the overall performance. Details in documentation-, wedding-, product-, nature- or food photography are typical applications for a standard zoom as a pseudo-macro. In photographic history, the macro feature of zoom lenses was often a shameful marketing trick without any serious usefulness. Let’s check out the performance of the of the Sony FE 2.8/24-70 GM, Tamron 2.8/28-75 Di III RXD and the Sony FE 4/24-105 G OSS.

Continue reading Sony FE Standard Zoom Shootout – Sony 2.8/24-70 GM vs. Sony 4/24-105 G OSS vs. Tamron 2.8/28-75 Di III RXD – Part 2: Macro capabilities